Mystery · Romance · Horror

The Phantom of the Opera

Gaston Leroux, 1910 · first published in French

A masked genius haunts the Paris Opera and the young singer he has chosen to make a star.

We’ll write when Lexo launches, and now and then about major new features. Nothing else.

Five levels, about 80 languages

  1. A2ElementaryShort sentences and everyday words.
  2. B1IntermediateYou follow clear stories about familiar things.
  3. B2Upper intermediateLonger sentences, richer vocabulary.
  4. C1AdvancedClose to the original, lightly condensed.
  5. C2ProficientThe complete novel.

One purchase is one book, in one language, at one level: $4.99. Another level of a book you own is $1.99. Editions nobody has asked for yet are written on request: chapter 1 in a few minutes, the rest while you read. How the levels work.

About the book

Box Five

At the Paris Opera, everyone is talking about the ghost. Stagehands have seen a man in evening dress with a death’s head. The new managers inherit a strange arrangement: Box Five must always be kept free for the Opera Ghost, who also expects a monthly salary. They laugh, until accidents start to happen. Meanwhile Christine Daaé, a young Swedish singer who has never stood out, suddenly sings like a star, and tells her childhood friend Raoul, the Vicomte de Chagny, that she has been taught by an invisible voice she calls the Angel of Music. Gaston Leroux published it in 1910, after a run as a serial in a Paris newspaper.

Why it works for learners

Leroux presents the book as an investigation: a narrator who has gathered the evidence and wants to prove that the Opera Ghost really existed. That frame keeps the story clear and gives it the pleasures of a mystery. The setting is one of the great buildings of Paris, with its stage machinery, dressing rooms, roof and underground lake, and the vocabulary moves between music, theater, love and fear. The main characters are few and vivid, and the most famous scenes (the chandelier, the masked ball, the descent beneath the Opera) are cinematic and easy to follow.

Which level to start at

B1 is ideal. The plot is linear and the suspense survives simplification. A2 works for readers who know the story from the musical. B2 readers will catch more of Leroux’s dark humor about the managers and the company. Listen to the narration for the scenes in the dark, where voices matter more than sights.